seeAlso.txt

"https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica; https://www.internetculturale.it/it/15/termini-d-uso ; https://archive.org/about/terms.php     http://www.bne.es/es/Inicio/index.html; https://books.google.com/intl/en/googlebooks/tos.html; https://about.jstor.org/terms/ " ;
"The primary goal is to populate an existing database, developed by the NIvO (National Institute for Organ Art) with data extracted from the raw text of the organ encyclopedia.The NIvO already prepared a web-interface to the database: pipeorgan.nlAdditionally a dashboard which allows exploration of the knowledge graph that is extracted from the full text of the encyclopedia. Various visualizations and querying methods could be included." ;
"We have a SPARQL endpoint in which we make the RDF triples of the entire General Catalog of cultural heritage downloadable and searchable, in which the resources produced within the Polifonia project will also be stored. Probably Geo-reference with connection to sound, audiovisual and image sources" ;
"Others;" ;
"Conceptual knowledge regarding the discovery of latent links between musical and social facts and places in the city of Bologna; Procedural knowledge regarding the autormatic extraction of information concerning speech analysis. " ;
"Score navigation, playback, enhanced exploration of linked sources (e.g. through images, related texts, events)" ;
"Satsfactory insight scores" ;
"We compare the automatic conversion with manual input.KPI is, e.g., the percentage correctly convertedFor the user study the KPI is the gain in time to answer a query when using the application" ;
"Semantic Web; Knowledge Graphs; Music Information Retrieval" , "Computational Musicology.; Music Information Retrieval; Music History" ;
"ArCo, Unimarc" ;
"The Polifonia Corpus (probably)" ;
"All resources will be released as part of the Polifonia Ecosystem on GitHub." ;
"User story: 100% Requirements: 50% (UI requirements missing) Ontology: 50% (first version, to be further developed) Knowledge Graph: 30% (first version focused on 1000 bios) Study in the music domain: 20% (focus on Edward Elgar) " ;
"Not applicable (N/A)" ;
"An alpha version of the interface with limited annotation features. " ;
"http://led.kmi.open.ac.uk" ;
"No, but points to evidence in a biography / text" ;
"Musicians;Academics;Amateur Internet users;" ;
"The list of books/texts is under development" ;
"The new knowledge is about a whole document (e.g. \"The composer of this piece is H.I.F. von Biber\")." ;
"New knowledge will be partially produced by algorithms but it will be validated and augmented by the scholar." ;
"Validation of interfaces by users/experts; Quantitative validation of input data; Validation from a sub-corpus/case study and transfer to a larger corpus            ; Validation of input data quality by experts" ;
"MusicXML, MEI, MARC-XML, Essen associative code, ABC, HUMDRUM, LY, KERN" ;
"Quantitative evaluation of links according to clustering metrics and ground-truth data; Quantitative evaluation of music similarities based on MIR benchmark tasks; Qualitative evaluation of both, through the involvement of collection curators/experts and musicologists respectively." ;
"Software distribution: 30%; Features of music to extract: 50%.; Faceted search: 0%.; Theoretical model for indexing scores efficiently: 90%." ;
"Entries of the Listening Experience Database (excerpts, books metadata.; Factual knowledge may include pointers to textual excerpts, composers, compositions, and contextual information." ;
"We plan to expand ArCo Ontologies and ICCD Vocabularies and Thesauri" ;
"Yes. We have a thesaurus of pipe organ terms in both English and Dutch." ;
"Epistemology; Digital humanities; Music analysis; Music theory and its history; Digital musicology" ;
"Output: Validate the output by using the existing manual annotation of tune origins as ground truth.Interface: User study with domain experts on how the tool can support scholarship." ;
"Automatic curation of documentary evidence: 30% ; Knowledge Graph of Music and Childhood: 20% ; UI for visualisation, exploration, and sense-making: 0% ; Discovery and collection of resources from books: 50%  ; Develop a music history study: 30% " ;
"Structure ; Melodic patterns ; Metadata (embedded in MIDI files); Harmony " ;
"Mainly in open access repositories such as Archive.org and Project Gutenberg." ;
"Keoma" ;
"https://github.com/polifonia-project/stories/blob/main/Carolina:%20Music%20Historian/Carolina%231_SourcesCrossAnalysis.md" ;
"This needs to be established in cooperation with WP2" ;
"Probably a specific one, not only for the TUNES pilot, but also for other parts of the project related with WP3." ;
"Ortenz" ;
"Probably no, we focus on factual knowledge." ;
" Cadence identification;  Analysis of diatonic/chromatic environment;  Root analysis;  Statistics on roots, pitches, pitch classes" ;
"We expect an indirect reuse of available models and standards through alignment. " ;
"The knowledge will be inferred by algorithms, either in a supervised or unsupervised way. In both cases, human interpretation and validation will be used in the process (so that outputs are not out of scope)." ;
"Independent application. pipeorgan.nl" ;
"To be cristalized." ;
"Factual knowledge, to support the retrieval and eliciting of accounts in texts.; Conceptual knowledge derived both from automated tools and curation activities performed by scholars." ;
"Cultural studies in music: a systematic study of music and childhood in the reference period is still to be done. State of art knowledge extraction methods can partly be used (eg. named entity recognition) but new research is needed to support factual information extraction such as event extraction and characterization for the domain of interest." ;
"Identification of overlaps and affinities with other pilots" ;
"Knowledge related to interrelations within European melodic heritage." ;
"Building a formalized knowledge about the phenomenon, which is non available at the moment" ;
"Conceptual knowledgee; Factual knowledge" ;
"An analytical annotation interface  will allow the user to instantiate different analytical/theoretical concepts on the score." ;
"Not clear yet." ;
"The analyses are based on paper and electronic editions derived from historical sources. " ;
"DOC, DOCX, WP5" ;
"The knowledge extracted could be a subject of debate." ;
"Number of authority files related to historical foundries in Italy: success >= 50Public events: success >= 2 events; Number of records digitized: success >= 300 records; Communities of bell ringers: success >= 4 communities; We will collect at least 100 complete case studies; Adoption of tools, vocabularies and methods in catalogation of bells heritage activity by institutions, scholars, practitioners. Reusability of collected data for research and institutional activity (protection and valorization of cultural heritage; inventories of Intangible cultural heritage also according to Unesco 2003 convention on ICH)" ;
"An alpha version of the interface with limited features. " ;
"Guidelines so that we may easily integrate in the Polifonia ecosystem.WP3 : pattern definitions / dimensions of musical content relevant for search" ;
"Helen Barlow" ;
"Linking the contents of the Dutch Song Database with other European melodic data sets." ;
"What level of meta data do we need on musical scores to classify them?What musical content can we process to produce an efficient search-engine?How should we design a search-engine interface for musical content?" ;
"Hierarchical MSA, automated structure knowledge graph construction, interlinking symbolic/audio sources" ;
"Organology.; Musicology " ;
"We don’t know yet,  we are interested in context reconstruction but some elements (ex: classification of traditional repertoires) are strictly connected with local traditions, so there could be some variations to be taken into account)." ;
"The new knowledge is anchored to a specific fragment in a source (e.g. \"The note identified by the xml:id \"m-69\" in a MEI file is analyzed as a passing note\");The new knowledge is about a whole document (e.g. \"The composer of this piece is H.I.F. von Biber\"); We are also leveraging standard annotation methods and extending them to symbolic music so that they can be semantically described." ;
"Creating a controlled vocabulary could be an additional result" ;
"The works and analyses are listed in a table and link to the complete resources available in TONALITIES: " ;
"Image collection: iconographic items, diagrammatic items, etc.; Sound sources;  Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Audiovisual sources;Material objects: bells, instruments, theatre equipment, sources listed above explored from the perspective of their materiality" ;
"--" ;
"musicologists, historians, linguistics, art historian, cultural studies in music" ;
"Links between melodies from different geographic and historical origins. Mainly factual and historical knowledge." ;
"User study with domain experts on how the tool can support scholarship User study on the quality of the meetups KB " ;
"Yes, the project does not only want to identify, but also to create new analytical categories as many times as necessary. These categories are subject to systematic modeling." ;
"It references an excerpt in the book but it is not necessarily an annotation." ;
"We will probably do both: expand works from WP2 on ontologies, and create new categories (we have to look at the data to be more precise)" ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"For professionals a quick way to find relations between (parts of) organs. For interested wider public an exploration space to discover instruments, music, recordings, maybe concerts, and the like." ;
"Eleonora Marzi" ;
"We are working on vocabularies with experts and practitioners; we plan a validation of the pilot (vocabularies, mockup, application) by experts and practitioners." ;
"Paul, ; Mark; Amy, ; Frank, " ;
"Creation of new resources to facilitate and enable the linking operations (80%); Discovery of links at the entity level (10%); Discovery of links at the musical content level (33%);" ;
"Musical encounters to be retrieved and explored alongside other knowledge" ;
"Data extraction is mostly done. We can provide a preliminary interface to explore the extracted knowledge graph. Also a prototype of the dashboard can be presented." ;
"Texts: historical and critical essays, correspondaces, media, biography, catalogs" ;
"Yes. Partially existing." ;
"MIDI ontologies, MIDI instrument taxonomies" ;
"The dispersion of sources is quite high. To solve this problem a corpus design has been made in which each textual type corresponds to a percentage of material in order to make the coprus representative" ;
"Both. The new knowledge is about a whole document (e.g. \"The composer of this piece is H.I.F. von Biber\"). Also the new knowledge is about a specific fragment (\"It reminds me of Lohengrin's narrative about the Holy Grail, at Wiesbaden, where I heard it recited scherzando[...]\" is a testimony of Wagner." ;
"If there exists a KO system for musical instruments, we might want to build on that. But probably, it will be necessary to design one specifically for texts about (historical) pipe organs." ;
"We have  formal cooperation agreements for the project with: local superintendences of Ministry of Culture (Liguria, Emilia Romagna); association of bells ringers (Associazione Campanari Liguri, Genova Carillons). Other agreements are under preparation with: other local superintendences (Molise)  foundries (Pontificia Fonderia Marinelli); association of experts in campanology (Associazione Italiana di Campanologia)" ;
"Automatic curation of documentary evidence: 30% ; Knowledge Graph of Music and Childhood: 20% ; UI for visualisation, exploration, and sense-making: 0% ; Discovery and collection of resources from books: 50%  ; Develop a music history study: 30% " ;
"Identified partners: Iremus-CNRS (already in the Neuma platform), NUIG and BNF. The pilot is still in a very early development stage and the involvement of other partners is currently limited. They will be sollicited in the next months." ;
"- validate the methodology :  10 case-studies to implement a methodology and good practices to build a complex knowledge system (ex: links beetween bells and sounds, bells and bell tower, performing events, archival documentation,playing techniques)​.                                                                       N19- interviews for validating the interface                             - check that the corpus is cleaned, consistent through experts  " ;
"From the search results?" ;
"Sound sources; Image collections: iconographic items, diagrammatic items, etc.; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Score" , "Image collection: iconographic items, diagrammatic items, etc.; Sound sources;  Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Audiovisual sources;Material objects: bells, instruments, theatre equipment, sources listed above explored from the perspective of their materiality" , "Sound sources; Scores; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc." ;
"The source material can be downloaded/accessed from Web APIs" ;
"It may possibly contain factual errors." ;
"Possibly in WP8" ;
"Sure, via Linked Data good practices" ;
"None, the UI is the Listening Experience Database" ;
"Tool: a web dashboard to support historiographical methodology." ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Knowledge related to musical heritage in Bologna as data about musicians, performances and buildings" ;
"Not directly from the data set. Maybe general sources on history could be involved?" ;
"https://github.com/polifonia-project/stories/blob/main/Sethus:%20Music%20Theorist/Sethus%231_ConflictingTheoreticalInterpretations.md" ;
"https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica; https://www.internetculturale.it/it/15/termini-d-uso ; https://archive.org/about/terms.php     http://www.bne.es/es/Inicio/index.html; https://books.google.com/intl/en/googlebooks/tos.html; https://about.jstor.org/terms/ " ;
"Landscape planning (Soundscape use in landscape planning).; Intangible Heritage; Campanology; Anthropology" ;
"Semantic Web; Knowledge Graphs; Music Information Retrieval" ;
"networks of melodies.; Melodic patterns " ;
"http://midi-ld.amp.ops.labs.vu.nl/; https://github.com/hangzhaomit/HACS-dataset; https://musedata.org; https://midi-ld.github.io" ;
"Not yet clear" ;
"Wikipedia should provide a consistent backbone that we can augment with specific sources to expand on some areas of interest." ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Semantic Web for Cultural Heritage; Cultural studies in music; Knowledge Extraction" , "Musicology; Semantic Web: knowledge graph construction; Cultural studies in music" ;
"Knowledge is included in the text, research in WP4 has the aim of extracting/curating it." ;
"Factual knowledge about specific instruments, and factual knowledge about the connections between instruments and specific entities (such as organ builders). ; At a more abstract level we would like to be able to infer historic knowledge about trends, influences, longitudinal developments. E.g. why and how did the German organ building tradition virtually replace the Dutch tradition around 1700?" ;
"identify similarities in heterogeneous corpora" ;
"Chiara Veninata (ICCD) chiara.veninata@beniculturali.itBruno Quaresima (ICBSA) bruno.quaresima@beniculturali.itFrancesco Baldi (ICBSA) francesco.baldi@beniculturali.it" ;
"Some of the facets which will be extracted from the corpora may be linked with \"clusters\" or \"classes\" (in a machine learning vocabulary)." ;
"Lakh: Over 7 different subsets/sets of files, but relating to one unique, centralised collection; MuseData: Various HTML pages but a centralised dump exists (not publicly available, but can be used in the project); MIDI Linked Data: One centralised dump file at http://midi-ld.amp.ops.labs.vu.nl, with other various subsets (e.g. lyrics); SLAC: One ZIP file on GitHub" ;
"Conceptual knowledge, produced by scholars in relation to a specific hypothesis, may be subjective." ;
"See 52. Web technologies provide accessibility through various possibilities (screen readers for instance), which rely on specific guidelines to produce web pages." ;
"Raphaël Fournier-S'niehotta. fournier@cnam.fr" ;
"We intend to produce conceptual and procedural knowledge. Extending search engine technology to musical scores is still a challenge (at least to be exhaustive and include melodic, rhythmic and metadata information)." ;
"A demonstrator: a search engine query page and some result pages." ;
"There are several interested parties. But no concrete proposals yet.- Muziekweb (national audio archive - all music (CDs) issued on Dutch market)- Muziekbibliotheek van de omroep (National Broadcast Music Library)- possibly others, such as journals and book collections about organs and organ music." ;
"Probably. The classification performed to create the FACETS indices will, at some point, \"organise\" musical pieces (e.g., by labelling), which should be done carefully (and some experts could disagree)." ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"Expand  http://led.kmi.open.ac.uk" ;
"Data quality and Data consistency are guaranteed by Copus design built with the help of two expert musicologists" ;
"Amateur Internet users;Musicians;Folk Musicians;Academics;" ;
"Validation of objectives through experts; Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts" , "Validation of input data quality by experts; Validation of objectives through experts; Validation from a sub-corpus/case study and transfer to a larger corpus; Compliance of the data produced with standards; Validation of interfaces by users/experts" , "Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of objectives through experts; Validation of results by ground truth" , "Validation of objectives through experts; Validation of interfaces by users/experts; Validation of input data quality by experts" , "Validation of objectives through experts; Validation of mechanically produced input data by ground truth; Validation of results by experts" ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Librarians, indexing music collections." ;
"we will rely on partial results from WP2 with ontologies (same answer as before, ontologies produce categories, and they are used as tools)." ;
"Algorithm for retrieval and extraction of events and accounts relevant to music and childhood" ;
"• How can haptic gestural and related technologies be used to improve engagement with musical performances and activities for those with hearing impairments or other disabilities ?• What the limitations of various approaches?• Under what circumstances, and for what participants,  are different approaches most appropriate?" ;
"http://www.huma-num.fr/ " ;
"RDF" ;
"Musicians;Students;Academics;Amateur Internet users;" ;
"TBA." ;
"Essen corpus.; http://neuma.huma-num.fr/ " ;
"Website to allow the exploration of meetups through timeline and map Knowledge graph of musical meetups" ;
"In the first place, the results will facilitate the research that is needed for restoration and maintenance of the organs. Results on trends and longitudinal developments will contribute to better understanding of the individual instruments, and provide a better understanding of history of pipe organ building." ;
"The production of the meetups data will be entirely automatic. The output dataset will be analysed and hypotheses may be developed by scholars." ;
"New ways of engaging with musical performances and activities for those with hearing impairments, or other  disabilities, through haptic,  gestural, and related technologies." ;
"Too early to say" ;
"The Dutch song culture has seen important influx from at least Germany, England, and France in different historical periods." ;
"Lakh: Over 7 different subsets/sets of files, but relating to one unique, centralised collection; MuseData: Various HTML pages but a centralised dump exists (not publicly available, but can be used in the project); MIDI Linked Data: One centralised dump file at http://midi-ld.amp.ops.labs.vu.nl, with other various subsets (e.g. lyrics); SLAC: One ZIP file on GitHub" ;
"It involves interpretations, and it is interesting (ex: in specific local traditions  concept could be adopted in different ways)" ;
"Conceptual knowledge (modal/tonal analyses of musical compositions). We wish to grasp the internal structure of the works and the way in which the musical concepts that can be derived from theories to be modelled participate in different forms of tonal organisation. " ;
"No clear vision yet" ;
"It is possible to build a conceptual model concerning Bell Sound in its tangible aspects (Bell types, connection with bell towers structures, connection with places, diffusion of sound in spece) and intangible ones (occasion of sounds, tradition and practice transmission, connection with religious time and  civil time scan)" ;
"The main innovations of the pilot are: 1 creation of a corpus dedicated to the role that music has played for the city of Bologna; 2 extraction of new knowledge relating to the links between music and the history of the city has remained latent until now" ;
"new tools being easy to use and accessible to the wide publicattractiveness of the interface " ;
"- Is there a connection between place and type of sound?-Is there a connection between type of instrument (materials, forms, date of construction) and type of sound?-Is there a connection between type of structures and type of sound?-Is there a connection between instrument, place, occasion and type of performing?-Which is the impact of changing sound practices (from manual execution to electrical ones)to soundscape?-Which is the type of transmission of practices from generation to generation? Is there a formalized knowledge ?Can we formalize it through a conceptual model? " ;
"https://github.com/polifonia-project/stories/blob/999b68c29e9d9462f217d7c513de7c5e4d902068/Ortenz:%20Music%20Historian/Ortenz%232_MusicalSocialNetwork.md" ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Cultural studies in music, musicology" ;
"With a Linked Data browser" ;
"Epistemology; Digital humanities; Music analysis; Music theory and its history; Digital musicology" , "Digital musicology; Digital humanities ; History ; Linguistics ; History of music " ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"A standalone docker version of a preliminary version of the search engine will be released before Summer 22. It will serve as the basis of future releases (e.g., with faceting)." ;
"Prototype of the dashboard." ;
"1. Does the theoretical model allow for the correct inference of modal attributions?2. Is the analytical information provided by user(s) or computed by algorithms correctly stored and retrievable ?3. Can the argumentative chain be correctly reconstructed?4. Does the music annotation environment meet usability requirements ?" ;
"The following high-level information will be released via the web-portal for each work (example from Adrian Willaert, Praeter rerum) Composer : Adrian WillaertTitle: Praeter rerum seriemGenre: MotetContexts:  not identifiedMEI (url): [à compléter]Number of voices : 7Nomenclature: B, 5, T, A, 6, 7, CClefs: B:F4; 5:C4; T:C3; A:C3;  6:C3; 7:C2; C:C1Key signature: bAmbitus: [à compléter]Tempus: 𝄵Final pitch(es): B:G2, 5:D3, T:G3, A:D4, 6:B3, 7:D4, C:G4 Pitch class hierarchies [D:22%, G:13%]Theoretical quotations: Zarlino 1558, 4, 19Modal-tonal attribution by theorist : mode 2: Zarlino 1558; ♭ c1-c2-c3-c3-c3-c4-f4: Powers 1989" ;
"It is planned to create an annotation interface that will allow discussion and relativization of the results obtained. " ;
"That we can leverage the rich, varied ecosystem in Web MIDI files (text annotations, amateur compositions, licensing, musical patterns, etc.) to uncover various relations with other cultural databases." ;
"No, it is structured." ;
"Essen corpus.; http://neuma.huma-num.fr/ " ;
"Larger user base, interface feedback and improvement, but also discussion on classification results." ;
"Check qualitative hypotheses from a quantitative perspective" ;
"Possibly the web portal, otherwise an independent application.KG part of the Polifonia KG (indexed by Website) " ;
"Ministry’s Dataset are in CC-BY-SA.; Datasets not created by the ministry may be subject to copyright." ;
"That would be very interesting, but also very challenging. There is some text referring to the historic and socio-cultural context in the data, but not that much." ;
"Finding and establishing links among music collections, including those that are not yet released as Linked Data, according to common entities and musical similarities (at the content level). More details available on the Polifonia website." ;
"Validation of interfaces by users/experts; Quantitative validation of input data; Validation from a sub-corpus/case study and transfer to a larger corpus            ; Validation of input data quality by experts" ;
"ArCo OntologiesICCD Vocabulary for Musical InstrumentsICCD Vocabulary for Intangible Heritage" ;
"Principally qualitative, but there may be some quantitative elements." ;
"Probably, yes." ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"Potentially via reports, images ,videos." ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"Music information retrieval; Music Creativity; Machine Learning; Digital Humanities; Semantic Web" ;
"The sources of  MusicBo and MEETUPS are complementary and can mutually enrich the two pilots. " ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"none yet" ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"We will rely on partial results from WP2 with ontologies. Some categories will be created by emerging from the data." ;
"NISV at the moment, and eventually CNAM for NEUMA as well as KNAW for the TUNES collections" ;
" - Use a test corpus (c. 150 works) and check whether the attributions made by the theorists can be inferred from the models.- Use a test corpus of multi-layered analyses (c. 15 works which have more than 1 analysis) and check if the information layers are stored correctly - Should we use the justification for the modal inference produced by the reasoner as metrics ?" ;
"The validation setup will be twofold.1. Measurement how much of the information from the encyclopedia has been transferred correctly to the NIvO database.2. We will perform a user test, comparing the time certain queries take manually versus with the dashboard." ;
"Better understanding of appropriate technologies, tools, approaches, and their effects." ;
"Retrieval and characterization of documentary evidence more quick and accurate." ;
"Sophia ; Keith ; Sonia ; Sethus" , "Sethus" ;
"Usability, accuracy, user feedback, Quantitative: ability of the UIs  to pass accurate well-formed   query to back ends " ;
"At the moment some sources are protected by copyright, but we are looking forward to have the permission for the application of CC licenses. " ;
"People with hearing impairments and other disabilities who visit the Stables Theatre in Milton Keynes and the Milton Keynes International Festival." ;
"WP2: Help in ontology design and alignment. Strategies for ontology-based reasoningWP3: Help in the design/training of a neural network for rate analysisWP5: Contribution to the design of the collaborative annotation interface. " ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Elena Musumeci : elena.musumeci@beniculturali.it" ;
"We plan evalulation of the dashboard with expert users (musicologists)" ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"Organ building companies." ;
"Yes, especially when dealing with music similarities." ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Can we link MIDI and audio representations of the same works? Does this help in establishing/improving provenance information? Can we trace the international origins of this Dutch popular song from the 16th century to other countries and cultures? Do any of these Dutch popular songs appear in modern, 20th century TV programs? Is there evidence of recurring patterns between popular and art music in different places and periods? " ;
"Analysis ontology: https://github.com/polifonia-project/modal-tonal-ontology/blob/main/analysisOntology.rdfModal-tonal ontologies: Zarlino 1558: https://github.com/polifonia-project/modal-tonal-ontology/blob/main/historicalModels/modalityTonality_Zarlino_1558.rdfPraetorius 1619 https://github.com/polifonia-project/modal-tonal-ontology/blob/main/historicalModels/modalityTonality_Praetorius_1619.owlMusic21: https://github.com/polifonia-project/modal-tonal-ontology/blob/main/otherModels/music21.rdf" ;
"Some parts (e.g. MySongBook transcripts in MIDI RDF) might be subject to copyright; The dataset is licensed through CC-BY 4.0" ;
"Links were found betweeen NISV collections and Discogs; Creation of ChoCo: the largest dataset of chords providing quality, timed, open chord annotations; Links were found between ChoCo and MusicBrainz; Design of the Cornucopia tool close to completion." ;
"Most of the sources are born digitally, others were digitized externally to the project." ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"The new knowledge is anchored to a specific fragment in a source (e.g. \"The note identified by the xml:id \"m-69\" in a MEI file is analyzed as a passing note\")." ;
"The theoretical model has been carefully devised, and was published as a 25-page journal article (BDCC-22). A first docker image was released. Another one is in preparation, with several UI." ;
"We plan a validation of the pilot (UI, search quality) by external experts. We aim to involve Polifonia experts (through WP3) in selecting relevant similarity measures and patterns for the search engine." ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Information on the musical heritage of the city of Bologna is largely unstructured and scattered and hence difficult to find and use." ;
"Local ArchivesGeneral Catalogue of Cultural Assets" ;
"For this particular pilot, the portal will be not be a major focus of interaction." ;
"Lakh: Over 7 different subsets/sets of files, but relating to one unique, centralised collection; MuseData: Various HTML pages but a centralised dump exists (not publicly available, but can be used in the project); MIDI Linked Data: One centralised dump file at http://midi-ld.amp.ops.labs.vu.nl, with other various subsets (e.g. lyrics); SLAC: One ZIP file on GitHub" ;
"Analytical results may be subject to discord. Tonalities aims to make these inconsistencies explicit by offering several analyses of the same work. These analyses are either created from the same theoretical model or from different models. " ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Paul, ; Mark; Amy, ; Frank, " ;
"Entity recognition (time), Knowledge extraction from text" ;
"Anthropologists, Ethnomusicologist" ;
"The generated knowledge will be in the form of classification of (melodic) patterns and networks of scores." ;
"Software distribution: 30%; Features of music to extract: 50%.; Faceted search: 0%.; Theoretical model for indexing scores efficiently: 90%." ;
"BELLS" ;
"https://github.com/polifonia-project/stories/blob/999b68c29e9d9462f217d7c513de7c5e4d902068/Ortenz:%20Music%20Historian/Ortenz%231_MusicAndChildhood.md" ;
"A] Quantitative: ability of the system to produce accurate recommendations to curators C] User study on usability of thematic explorer C] User study on assisted formulation of research hypotheses " ;
"Partly, we will combine dbpedia, Wikidata, and Wikipedia pages" ;
"Not planned" ;
"Not yet clear. In any case we need tailored named entity recognition." ;
"Network of composers" ;
"Validation of mechanically produced input data by ground truthValidation of input data quality by expertsValidation of interfaces by users/expertsValidation of objectives through experts" ;
"http://midi-ld.amp.ops.labs.vu.nl/; https://github.com/hangzhaomit/HACS-dataset; https://musedata.org; https://midi-ld.github.io" ;
"No. These were manually entered in a long-term effort." ;
"Musicians;Organists;Organ Advisors;Organ Builders;Cultural Heritage Agency;Organ Enthousiasts;Amateur Internet users;Academics;Students;Others;" ;
"Number of authority files related to historical foundries in Italy: success >= 50Public events: success >= 2 events; Number of records digitized: success >= 300 records; Communities of bell ringers: success >= 4 communities; We will collect at least 100 complete case studies; Adoption of tools, vocabularies and methods in catalogation of bells heritage activity by institutions, scholars, practitioners. Reusability of collected data for research and institutional activity (protection and valorization of cultural heritage; inventories of Intangible cultural heritage also according to Unesco 2003 convention on ICH)" ;
"yes" ;
"Semantic Web; Knowledge Graphs; Music Information Retrieval" ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"User story and requirements analysis  Initial version of the ontology Selection of biographies from Wikipedia (1000 used in experiments so far) Initial version of the knowledge graph construction pipeline" ;
"Academics;Students;" ;
"Too early to say." ;
"Quantitative and qualitative evaluation is planned for assessing the quality of links established." ;
"The SotA on search-engine for musical scores is rudimentary, and was mostly started by our team. We aim at extending previous preliminary theoretical work and produce working implementations." ;
"Validation of input data quality by experts; Validation of objectives through experts; Validation from a sub-corpus/case study and transfer to a larger corpus; Compliance of the data produced with standards; Validation of interfaces by users/experts" , "Validation of objectives through experts; Validation of interfaces by users/experts; Validation of input data quality by experts" , "Validation of interfaces by users/experts; Quantitative validation of input data; Validation from a sub-corpus/case study and transfer to a larger corpus            ; Validation of input data quality by experts" , "Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of input data quality by experts; Performance validation" ;
"Probably. Exchanges between musicologist and computer scientists are generally very fruitful." ;
"MEI, MusicXML" ;
"Used sources are in the public domain. Produced data is OU copyright." ;
"Network: knowledge graph on historical pipe organs in the Netherlands." ;
"Generally no." ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Currently not planned. Audible feedback might be a possibility." ;
"On the web." ;
"The aim is to infer new knowledge by algorithms. Must be possible with state-of-the-art NLP, automatic reasoning, etc." ;
" B] Growth of LED C] Number of scholarly activity supported / qualitative methods Adoption of tools and methods in OU courses of Music Department " ;
"Recall" ;
" Cadence identification;  Analysis of diatonic/chromatic environment;  Root analysis;  Statistics on roots, pitches, pitch classes" ;
"Validation of objectives through experts; Validation of mechanically produced input data by ground truth; Validation of results by experts" ;
"Note-by-note navigation, score representation, playable on demand, browse and search specific measures" ;
"Yes; see http://grlc.io/api/midi-ld/queries/" ;
"Sound sources; Image collections: iconographic items, diagrammatic items, etc.; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Score" ;
" Cadence identification;  Analysis of diatonic/chromatic environment;  Root analysis;  Statistics on roots, pitches, pitch classes" ;
"MEI, OWL" ;
"http://archive.org/; https://www.gutenberg.org/; https://en.wikipedia.org" ;
"https://zenodo.org/record/3551003; www.liederenbank.nl" ;
"Exploration of the information on the works, navigation in the corpus, discovery of the available analyses, navigation towards the specific display resources of CHILD." ;
"Yes, we have API SPARQL (customizable query). For photographies we have API IIIF (Internationale Image Interoperability Framework)" ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Dutch National Institute of Organ Art (NIvO)." ;
"Currently not planned." ;
"Principally qualitatively, based on human behaviour." ;
"networks of melodies.; Melodic patterns " , "Structure ; Melodic patterns ; Metadata (embedded in MIDI files); Harmony " ;
"Exploration of personalities and encounters through time and space." ;
"Digital musicology; Digital humanities ; History ; Linguistics ; History of music " ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Provide a faceted search engine for large collections of musical documents" ;
"noy yet defined" ;
"Definition of a ITA/ENG vocabulary for the domain, integrating the existing ones (mainly incomplete); new tools being easy to use and accessible to the wide public; attractiveness of the interface " ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"A] Accuracy, F1, ... B] Growth of LED C] Number of scholarly activity supported / qualitative methods " ;
"Browsable and playable sources, interlinked with other datasets, taxonomies, ontologies" ;
"All the data can be indexed and linked from the web portal." ;
"The tool should facilitate the discovery of connections between the melodic contents of different data sets, where 'connection' means the same (or related) melodies or melodic motifs in different data sets." ;
"WP2 to provide methods and tools for extracting content from existing knowledge graphs (Wikidata/DBpedia/...) publishing linked data; WP4 to provide methods to extract encounters from Wikipedia and digitized texts, WP5 -> UI design" ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"intertextual units and networks of composers and compositions" ;
"Compliance to the standards is insured by relying on ElasticSearch as a back-end layer.Number of partners or external institution/people using it. KPI : github forks (collaboration), Docker image downloads, number of verified installations in other institutions than cnam." ;
"The amount of time a advisor for a restoration project needs to assemble the factual basis for a restoration or maintenance plan." ;
"Yes, we want the socio-cultural context to be explicitly represented." ;
"Exploration of the information on the works, navigation in the corpus, discovery of the available analyses, navigation towards the specific display resources of TONALITIES." ;
"Part of the sources are born digital as Media documents" ;
"The data consists of ca. 2000 documents." ;
"Create new ones, for analytical purpose (see previous answer)" ;
" - Map, to locate the bells - Facet research - Time period in layers  - Customize the criteria/facets                                                         - Natural language question answering over knowledge graphs → queries in natural language translated in SPARQL​​                                                            - issue: can the data be enriched by users ?  - issue: can we guide the user ?                                                 " ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Adoption of tools and methods in OU courses of Music Department Number of scholarly activity supported / qualitative methods " ;
"I don't understand this question." ;
"Yes: http://neuma.huma-num.fr/rest/swagger/" ;
"Views of users.Demonstrated new affordances for people with disabilities.New tasks and experiences enabled.Views of music educators and music venues involved." ;
"An overview of resources and results. The possibility of articulating these elements with the other pilots. For example a monodic work that would have been analyzed in both TONALITIES and TUNES, etc. " ;
" - Map would be a dedicated environment  - issue : what about missing data, how to reconnect ?  " ;
"Interviews, use of oral and bottom-up sources  for the building of a conceptual knowledge" ;
"Automatic curation of documentary evidence: 30% ; Knowledge Graph of Music and Childhood: 20% ; UI for visualisation, exploration, and sense-making: 0% ; Discovery and collection of resources from books: 50%  ; Develop a music history study: 30% " ;
"Organology, Musicology, Historical Musicology" ;
"Independent application (two will require specialised hardware)" ;
"Not sure which \"links\". But, yes, the search engine could involve a link between opera and a socio-cultural context (either internal or external to the Polifonia project)." ;
"Ranking of similarities based on known categories (performances of the same composition, covers songs, and all the possible example that can be identified based on previously known property that would be expected); Comparison to human performances." ;
"independent application, released as open source software (Docker image) and with a REST API" ;
"Structure ; Melodic patterns ; Metadata (embedded in MIDI files); Harmony " ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"WP4 -> Knowledge extraction components; WP5 -> UI design" ;
"Design and collection of corpus 100%; Modeling extraction of textual information 20% " ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Sethus: https://github.com/polifonia-project/stories/tree/main/Sethus:%20Music%20Theorist " ;
"We may rely on interpretations, but I guess we would be \"users\" of such interpretations, not \"creators\" of them." ;
"Musicologists and all academics interested in musical content (sociologists, historians, ethnologists, etc. ). Computer scientists may also be interested by the technical features of a search engine for non-textual content" ;
"MIDI" ;
"https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica; https://www.internetculturale.it/it/15/termini-d-uso ; https://archive.org/about/terms.php     http://www.bne.es/es/Inicio/index.html; https://books.google.com/intl/en/googlebooks/tos.html; https://about.jstor.org/terms/ " ;
" Cadence identification;  Analysis of diatonic/chromatic environment;  Root analysis;  Statistics on roots, pitches, pitch classes" ;
"Sound sources; Image collections: iconographic items, diagrammatic items, etc.; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Score" ;
"A panel of musical examples has been created and annotated.​ Two theoretical models have been made available (Zarlino 1558 and Praetorius 1619)​One of the two models (Zarlino 1558) has been applied to the examples and provides correct analytical results.​An ontology of works and analyses adapted to TONALITIES has been sketched.​An algorithm has been developed to compare modal classes and their definitions between two or more models.​A validation methodology has been outlined" ;
"The new knowledge is about a whole document (e.g. \"The performer of this piece is X\"; \"the author of the bells is Y\"; \"The nominal notes of this bells concert are ZZZ\" )." ;
"The resulting knowledge also will be incorporated in the database of pipeorgan.nl. The portal could link to that." ;
"Number of authority files related to historical foundries in Italy: success >= 50Public events: success >= 2 events; Number of records digitized: success >= 300 records; Communities of bell ringers: success >= 4 communities; We will collect at least 100 complete case studies; Adoption of tools, vocabularies and methods in catalogation of bells heritage activity by institutions, scholars, practitioners. Reusability of collected data for research and institutional activity (protection and valorization of cultural heritage; inventories of Intangible cultural heritage also according to Unesco 2003 convention on ICH)" ;
"Regarding to the data that were available in the libraries, it was not possible to acquire them due to Covid which made these places inaccessible for the first year of the project.; Open access repositories. " ;
"At the Dutch National Institute of Organ Art (NIvO) and in a zip file on my computer (pvk)." ;
"Factual knowledge, to support the retrieval and eliciting of accounts in texts.; Conceptual knowledge derived both from automated tools and curation activities performed by scholars." ;
"Peter van Kranenburg" ;
"Epistemology; Digital humanities; Music analysis; Music theory and its history; Digital musicology" ;
"Yes." ;
"A] A knowledge acquisition UI for listening experiences, linked to the LED B] A knowledge graph of listening experiences (LED+updates focusing on CHILD) C] A UI for thematic exploration of LEs, focusing on Childhood (->WP5) " ;
"Creative Commons licences." ;
"No, they are digitized books." ;
"It is a descriptive knowledge related to the context and to data (preformances, places, persons)" ;
"n/a" ;
"Number of authority files related to historical foundries in Italy: success >= 50Public events: success >= 2 events; Number of records digitized: success >= 300 records; Communities of bell ringers: success >= 4 communities; We will collect at least 100 complete case studies; Adoption of tools, vocabularies and methods in catalogation of bells heritage activity by institutions, scholars, practitioners. Reusability of collected data for research and institutional activity (protection and valorization of cultural heritage; inventories of Intangible cultural heritage also according to Unesco 2003 convention on ICH)" ;
"By contributing  new tools, frameworks, perspectives and an understanding of their effects." ;
"http://data-iremus.huma-num.fr/sparql " ;
"Music Lovers;" ;
"TAR, GZIP, RDF, N-triples, RDF, RDFS, OWL, Filemaker, KERN, MIDI, PDF, TXT, JSON, PNG, MXL, ABC, MEI, SQL databases, CSV, TSV, HTML, HARM, JSON, JAMS, etc." ;
"Jacopo de Berardinis <jacopo.deberardinis@kcl.ac.uk>" ;
"Hans Steketee (director of the National Institute of Organ Art) hans@nationaalinstituutorgelkunst.nl" ;
"Structure ; Melodic patterns ; Metadata (embedded in MIDI files); Harmony " ;
"UI for Poly queryUI for Poly BrowseUI for Harmony Browse" ;
"Digital musicology; Digital humanities ; History ; Linguistics ; History of music " ;
"A well-trained algorithm probably could, but at the moment we don’t think so." ;
"Qualitative intervfiews with domain experts" ;
"We are our own technical provider, though we will collaborate with others within and outside the project, as applicable ." ;
"To  be determined" ;
"To be fully determined. But having more than 2 installation (and ~5 users) would be a success." ;
"Albert Meroño Peñuela <albert.merono@kcl.ac.uk>" ;
"Most statements in human computer interaction are subject to qualification." ;
"Lakh: Over 7 different subsets/sets of files, but relating to one unique, centralised collection; MuseData: Various HTML pages but a centralised dump exists (not publicly available, but can be used in the project); MIDI Linked Data: One centralised dump file at http://midi-ld.amp.ops.labs.vu.nl, with other various subsets (e.g. lyrics); SLAC: One ZIP file on GitHub" ;
"Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Scores" , "Sound sources; Scores; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc." ;
"Linked Data conversion of MIDI and other notations to RDF, RDM: will you produce a new datamodel (?)Ontologies for these notationsLinking algorithms between notations and metadata (e.g. related texts, events)" ;
"http://archive.org/; https://www.gutenberg.org/; https://en.wikipedia.org" ;
"CNAM​: NEUMA score library made available and adapted to include copyright/licence information.KCL: Providing support for the modelling of theories.  OU:    Draft collaborative annotation interface mock-up; Identification of possible representation types/modes to be adopted; Critical discussions on theoretical models." ;
"That engagement with musical performances and activities can be enhanced, for those with hearing impairments or disabilities, using haptic gestural  and related technologies." ;
"Certain tasks carried out more quicklyAccessibility of data from various sourcesGeneral public interface easy to use" ;
"New one" ;
"Most of the gathering work has already been done, scores are aggregated in Neuma" ;
"Landscape planning (Soundscape use in landscape planning).; Intangible Heritage; Campanology; Anthropology" ;
"Qualitative intervfiews with domain experts. User study measuring the accuracy of teh KG construciton pipeline" ;
"Image collection: iconographic items, diagrammatic items, etc.; Sound sources;  Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Audiovisual sources;Material objects: bells, instruments, theatre equipment, sources listed above explored from the perspective of their materiality" ;
"Yes (as is normal in HCI)" ;
"WP4 / WP5" ;
"Yes. Several other data sets in Polifonia (specifically: Iris folk music, NEUMA)." ;
"A corpus has been collected. The corpus is composed by 150 documents concerning the history of music in Bologna from 1600 to the present day, considering different textual types (historical and critical treatise, correspondance, media, autobiography) in different languages (Italian, French, Spanish, English). " ;
"Material objects: bells, instruments, theatre equipment, sources listed above explored from the perspective of their materiality" ;
"MIDI ontologies, Chords ontologies, structure ontologies, etc." ;
"Mark" , "Paul, ; Mark; Amy, ; Frank, " ;
"We don’t know" ;
"A limited number of complete examples (relation between bell towers/bells/sound recordings/performing practices) throught the production of catalogue sheets: A first version of the interface and with limited data extracted." ;
"Landscape planning (Soundscape use in landscape planning).; Intangible Heritage; Campanology; Anthropology" ;
"time and accuracy with which tasks are carried out" ;
"RDM: maybe a new corpus of data will be created; either video documentation of live events; or recorded data from sessions (experiemental and live) on haptical/gesture based music experiences" ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Ontologies; linking algorithms; music context knowledge graphs; music similarity methods;" ;
"https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica; https://www.internetculturale.it/it/15/termini-d-uso ; https://archive.org/about/terms.php     http://www.bne.es/es/Inicio/index.html; https://books.google.com/intl/en/googlebooks/tos.html; https://about.jstor.org/terms/ " ;
"Knowledge expressed in reports, images ,videos, etc." ;
"Musicology; Semantic Web: knowledge graph construction; Cultural studies in music" ;
"The analytical information can be deduced from individual sources, considered as autonomous units. However, corpus studies will be carried out with the dual aim of updating diachronic evolutions and developing models adapted to synchronic levels." ;
"Exploration of the information on the works, navigation in the corpus, discovery of the available analyses, navigation towards the specific display resources of MEETUPS." ;
"Tonalities' main topic is the modal-tonal identification, exploration and classification of monophonic and polyphonic notated music from the Renaissance to the 20th century.  ​The pilot aims to: ​ better understand the evolution of the musical language and of its theories;​ share and to compare existing musical analyses;​ provide a tool for the analytical exploration of large music collections and for the modal-tonal classification of works.​" ;
"Paul, ; Mark; Amy, ; Frank, " ;
"The MusicBo Pilot aims to investigate the role that music played in the life of the city of Bologna through a historical perspective in terms of performances, encounters between musicians, composers, critics and historians. The pilot focuses on the testimonies of scholars, journalists, travelers, writers and students from medieval to modern times through published documents showing diverse discourse styles such as stories, letters, reports, news, reportage. The pilot aims to represetnt the link between cultural heritage of Bologna and musical facts." ;
"Conceptual Knowledge about historical bells knowledge as a compex system involving structures (Bells Towers), musical instruments (Bells), intangible knowledge (Kinesic, Repertories, Transmission of Practice)" ;
"Methods for anlysing music (melodies) at a higher abstraction level than single notes are lacking in Music Information Retrieval. We will contribute to that." ;
"Validation of mechanically produced input data by ground truth; Validation of input data quality by experts; Validation of results by experts; Validation from a sub-corpus; Validation of objectives through experts" ;
"Musicians;Curators;Academics;Listeners;Internet users;" ;
"Image collection: iconographic items, diagrammatic items, etc.; Sound sources;  Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Audiovisual sources;Material objects: bells, instruments, theatre equipment, sources listed above explored from the perspective of their materiality" ;
"Scores with texts, potentially from 14th to the 21st century" ;
"too early to say" ;
"Conceptual knowledge regarding the discovery of latent links between musical and social facts and places in the city of Bologna; Procedural knowledge regarding the autormatic extraction of information concerning speech analysis. " ;
"Knowledge extraction research performed in WP4, UI research developed in WP5 for the exploration/curation of accounts, UI design" ;
"Pilot resources will be presented as text fragments or SPARQL query results" ;
"Precision, recall, f-measure about the discovered linksCompetency questions (for the ontologies)User surveys" ;
"Any person willing to extract knowledge and/or manage collections of musical scores (e.g., editors)." ;
"Yes" ;
"Tonalities aims to compare different (and even controversial) music analyses that MUST be referred to specific theoretical frameworks. In this way, the pilot innovates by contextualising theoretical and analytical information. ​The open linked data paradigm allows to articulate different large digital collections of notated music and to explore them through a quantitative-qualitative approach.​By modelling different theories and applying them to musical works in a dedicated interface combining machine learning and human annotations, we can analyse larger score collections and deepen our understanding of them.​" ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
" Number of records digitized;  Number of bell ringer communities covered;  Number of public events;   Data quality and Data consistency are guaranteed by design: we will integrate and use validated standards (from Ministry of Culture) for the description.;  Complete case studies;  Number of authority files related to historical foundries in Italy" ;
"We have photos, historical artisctic property, architectural (bells towers) audiovisual sources" ;
"Technical research questions: How to do named entity recognition in the text of the Organ Encyclopedia, tailored to this highly specialistic corpus containing jargon?Tracing historical developments: How did German influence spread in the Netherlands organ building practice during the 17th and 18th centuries?" ;
"Musicology; Semantic Web: knowledge graph construction; Cultural studies in music" ;
"Human Computer Interaction" ;
"Yes, definitely with TONALITIES" ;
"Yes. The knowledge produced is linked to concepts of musical theories that have been modeled.  " ;
"A knowledge map of Bologna, which shows semantic relations about music in some specifics points of the city, as places, public or private building, churches and so on. " ;
"MusicXML, MEI,  MARC-XML, LY, JAMS" ;
"Starting from 2 data points:  sound recording and instrument and their place (bells/bell tower) the pilot will build connection to intangible elements like performing practices, transmission practices, sound characteristics (e.g. bells nominal notes) and tangible elements (e.g bells measurements, materials, etc),  through the use of existing and new controled vocabularies." ;
"MIDI files from the 80s, 90s, 00s from the Web (mostly amateur provenance). New knowledge is also quantitative, e.g. Music piece A is harmonically similar to Music piece B." ;
"Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of input data quality by experts; Performance validation" ;
"Feedback from music experts (PMEC)" ;
"Partially" ;
"Characterizing encounters will result in an ontology." ;
"music lovers" ;
"The Meertens Institute" ;
"Not at the moment." ;
"OWL, CIDOC-CRM, CRMdig, LRMoo, DCTERMS" ;
"- some CQ can be used in the portal- other need a dashboard ? how much effort on the project (Peter 50%, can do things, but needs support) - https://streamlit.io/" ;
"Largest collection available of MIDI files harvested from the Web, cleaned and aligned with the Million Song Dataset; Largest collection of open and high-quality chord annotations in different formats and notations with timing information. Tools for dataset enrichment and linking." ;
"Human Interpretation" ;
"Yes, it involves different disciplines and it also involve bottom-up process  (cooperation with local communities of practicers and local experts)" ;
"http://midi-ld.amp.ops.labs.vu.nl/; https://github.com/hangzhaomit/HACS-dataset; https://musedata.org; https://midi-ld.github.io" ;
"TXT, MIDI, Filemaker, CSV, XML" ;
"Yes. The results should be interpreted by a music historian." ;
"Maybe some sort of browsable map of Europe. With a date-dependency." ;
"Design and collection of corpus 100%; Modeling extraction of textual information 20% " ;
"Draft stories here https://liveunibo.sharepoint.com/:w:/r/sites/polifonia/_layouts/15/Doc.aspx?sourcedoc=%7BE629413F-ED01-4EE2-B70D-7F9B7B4C87B2%7D&file=STABLES%20SCENARIOS%20V6.docx&action=default&mobileredirect=true" ;
"Automatic curation of documentary evidence: 30% ; Knowledge Graph of Music and Childhood: 20% ; UI for visualisation, exploration, and sense-making: 0% ; Discovery and collection of resources from books: 50%  ; Develop a music history study: 30% " ;
"MIDI, PNG, PDF" ;
"Depends on what is meant with a 'source'." ;
"A KG of historical meetups can support the development of research hipothesis in historical musicology." ;
"MIDI ontology ?" ;
"Yes: llistening environments, genre, economic status." ;
"Validation of input data quality by experts; Validation of objectives through experts; Validation from a sub-corpus/case study and transfer to a larger corpus; Compliance of the data produced with standards; Validation of interfaces by users/experts" ;
"- Data enrichment                                                                                                                  - Possible extension and harmonisation of metadata schemes                                      - data sources hosted by content service providers;                                                       - map hosted by Polifonia portal                                                                                           - publish/enrich LOD" ;
"Generate high quality data in the KG. Allow scholars to explore and make sense of the KG." ;
"Yes: meeting types" ;
"No." ;
"Within limits, this is generally possibly in HCI." ;
"We are building a network of organ advisors and organists, who we will invite to evaluate interfaces. We also plan to do a broader user study, recruiting organ enthousiasts throug organ new sites and organ fora and mailing lists." ;
"Semantic Web for Cultural Heritage; Cultural studies in music; Knowledge Extraction" ;
"CSV, TSV" ;
"JPEG, TIFF, XML, RDF, HTML, various sound formats" ;
"Carolina, new one coming" ;
"Musicians, Academincs, Students, Curators, Tourists" ;
"None specifically. The aim of the pilot is to make the contents of the Organ Encyclopedia better accessible." ;
"Epistemology; Digital humanities; Music analysis; Music theory and its history; Digital musicology" ;
"thomas.bottini@cnrs.fr" ;
"Certain tasks carried out more quickly or accurately: amount of relevant links between scores and other sources discovered.the amount or type of data that can be used in the task: amount of different symbolic formats supported and linked" ;
"Links to intellectual and interpretive contexts are made explicit through theoretical modelling and the authoring of analytical annotations (attributed to human analysts and/or algorithms). Information relating to the contexts of the musical sources (genre, liturgical context, instruments) provides for an insight into the socio-cultural contexts." ;
"Academics;" ;
"Factual knowledge as contained in the text of the Organ Encyclopedia does not necessarily need interpretation. Findings about historic trends and influences do involve interpretation." ;
"Facets' goal is to develop an open-source search engine for symbolic music (digital scores). The pilot will have the capability of indexing several formats of scores, index them, and rank the results. It will be distributed as a user-friendly docker image, enabling anyone to index and search their own scores. Analysis of indexed score may be done as a bonus. Several interfaces will be provided." ;
"When during the history of The Netherlands do we observe cultural influence from [France|England|Germany|...]? What would be historical explanations for that? Do these influences align with relations in other dimensions (economical, political, religious, etc)?" ;
"NLP: tailored named entity recognition, techniques to infer relations between the entities from the text.KG: Support for extracting a knowledge graph from the data. WP2: knowledge graph representationWP4: Natural Language ProcessingMaybe CHILD and MEETUPS have similar strategies for validation?" ;
"Cultural Studies on Music, Musicology" ;
"- collection of tools- issue: who will build this application ? - issue : how do we represent melodic contents as KG ?" ;
"Provide an interface for annotation and analytical argumentation. This interface would  - Classify musical works into modal-tonal categories on the basis of an in-depth understanding of their inner organisation;- Apply different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;- Confront modal-tonal attributions of a musical work;- Look “inside” modal-tonal theories and compare them;  - Provide an argued, documented and authored modal-tonal analysis on the basis of the theoretical and analytical observations made." ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"Enhanced visibility." ;
"Overlaps with TUNES, FACETS ?" ;
"Sophia ; Keith ; Sonia ; Sethus" ;
"Organology.; Musicology " ;
"Music Information retrieval; Machine Learning." ;
"Selected resources of value (Books) for the study of Music and Childhood (1800-1950)  Developed a tool for the retrieval of multi-themed documentary evidence from books  (WP4)   Produced a dataset of listening experiences from LED to benchmark solutions for automatic retrieval of metadata  (WP4) Conducted interviews with music scholars for gathering requirements Produced a dataset of listening experiences from LED that are relevant to the enquiry  (WP4) " ;
"TONALITIES will investigate modal-tonal identification, exploration and classification of monophonic and polyphonic notated music from the Renaissance to the 20th century. We believe that a better understanding of tonality requires a computer-assisted serial analysis of large corpora. The digital approach, in order to be petinent and adapted, must however reintroduce and clarify the analyst's  (theoretical, philosophical, historical) point of view. To this end, we implement an approach that combines collaborative annotation of scores and deep learning." ;
"Bells pilot aims to reconnect tangible and intangible elements that are part of \"bell heritage\" to the wider context of a landscape and cultural heritage. The pilot aims to investigate the intrinsic complexity of this heritage with an interdisciplinary approach, its cultural dimension in relation to a wider culture of sounds and listening, and the correlation of knowledge, practices and symbolic orders that preside over this dimension, with particular attention to the ethno-anthropological and ethnomusicological perspectives. The research will be articulated through two different lines of investigation: i) recovery, possible digitization and analysis of sound, audiovisual and written sources, already existing in collections and archives, ii) field surveys and catalogation of bell towers, bells, bell sound recordings,  performing practices and related knowledge. In particular, we will consider: the nature of the bell as a music instruments, the social actors traditionally involved in performing practices, the execution techniques and the performances and their interconnections and developments over time and space. " ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Computational Musicology.; Music Information Retrieval; Music History" ;
"Enrico Daga" ;
"Digital musicology; Digital humanities ; History ; Linguistics ; History of music " ;
"We only consider books available in the public domain. All produced material is published free to reuse under a CC-BY licence." ;
"Music Information retrieval; Machine Learning." ;
"The new knowledge is anchored to a specific fragment in a source (e.g. \"The note identified by the xml:id \"m-69\" in a MEI file is analyzed as a passing note\");The new knowledge is about a whole document (e.g. \"The composer of this piece is H.I.F. von Biber\")." ;
"Me (Peter van Kranenburg)" ;
"We plan a validation of the QC and the mock-up by external experts, specialists in music analysis and theory." ;
"Analytical knowledge is produced through theoretical constructs that are based on hypotheses and are the result of certain assumptions. " ;
"Digital musicology; Digital humanities ; History ; Linguistics ; History of music " ;
"Language models, multi-modal linking algorithms" ;
"Explanation/overview of the functionalities of TONALITIES (documentation and screenshots?). Key figures on the number of works, analyses, theoretical models taken into account. Summary table of analytical information for each work, group of works taken into account. Links to the TONALITIES infrastructure." ;
"Me (Peter van Kranenburg)." ;
"Sources from MusicBo may contribute data about Bologna and the CHILD pilot may include texts that could be used to extract encounters as well." ;
"Contributes new tools and methods for building a KG of historical meetups. The resources contributes to historical musicology research." ;
"Browsing and querying of the Pilot corpus" ;
"Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of objectives through experts; Validation of results by ground truth" , "Validation of interfaces by users/experts; Validation of results by ground truth" ;
"Yes, fully, through a REST API. http://neuma.huma-num.fr/home/services" ;
"Some parts (e.g. MySongBook transcripts in MIDI RDF) might be subject to copyright; The dataset is licensed through CC-BY 4.0" ;
"Entries of the Listening Experience Database (excerpts, books metadata.; Factual knowledge may include pointers to textual excerpts, composers, compositions, and contextual information." ;
"Music historians" ;
"The tool should be easy to use. Search-engine is now widespread, so we should provide an interface similar to standard ones. The tool should be efficient, ie, retrieve relevant content based on the provided queries, rather quickly. The accessibility (e.g., for disabled people) will be derived from standard web technologies." ;
"The average time the search engine would take to answer a query, and its accurracy are crucial elements for the success of the pilot. They can be measured by computer measures (timing an execution) or surveys (accurracy).Some usability surveys to measure aesthetics could also be used." ;
"Maybe a browsable graph of related instruments and other entities (organ builders)." ;
"The pilot resources will be published as part of the Polifonia Ecosystem on GitHub." ;
"There is envisioned overlap with TONALITIES and INTERLINK.Also with FACETS." ;
"This pilot is rather different in character from the other pilots, as it focuses on improving engagement with musical performances and activities for those with hearing and other disabilities, with a focus on a particular musical venue and music festival. There are ways in which this pilot could encompass more digital aspects, but it is too early to specify such aspects, if any, as they would depend in part on the user community." ;
"Sophia ; Keith ; Sonia ; Sethus" ;
"Probably not, it is mainly structured as a knowledge graph. However, scholars may produce annotations that are purely descriptive." ;
"http://archive.org/; https://www.gutenberg.org/; https://en.wikipedia.org" ;
"WP3: technology to extract patterns from the musical contents.WP2: technology to extract a knowledge graph from these extracted patterns.- generic dashboard;- convert dataset(s) to linked data; RDM: enriching existing database (?) similar to Bells; application possible in Portal (?); see BELLS on SLA's  " ;
"Yes, themes classifhying types of childhoood experiences" ;
"CC BY-SA 4.0; CPDL copyright license; CC BY-SA; CC BY-NC 3.0; CC BY-NC-SA; GNU GENERAL PUBLIC LICENSE, Version 3, 29 June 2007" ;
"Method: knowledge extraction tailored to support historiographical methodology." ;
"Design an ontology for representing musical meetups Develop a Knowledge Graph of Musical Meetups Develop a Web interface for browsing and exploring musical MEETUPS Apply the knowledge graph to support a study in the music history domain " ;
"Providing access to a linked data browser" ;
"Semantic Web for Cultural Heritage; Cultural studies in music; Knowledge Extraction" ;
"Indipendent application and part of Polifonia KG" ;
"Amateur Internet users; Students; Academics; Curators; Experts of local Institutions involved in protection and restauration and landscape planning; Members of communities of practitioners (bells ringers); Campanologists" ;
"Initial hypotheses: a better presentation of content, relying on adequate content extraction, provides better content discovery and usage." ;
"Conceptual knowledgee; Factual knowledge" ;
"Landscape planning (Soundscape use in landscape planning).; Intangible Heritage; Campanology; Anthropology" ;
"Sophia ; Keith ; Sonia ; Sethus" ;
"The analytical annotation interface and the semantic model will be suitable for collaborative work. " ;
"Simon Holland" ;
"Not yet clear." ;
"Regarding to the data that were available in the libraries, it was not possible to acquire them due to Covid which made these places inaccessible for the first year of the project.; Open access repositories. " ;
"Probably not." ;
"Vrije Universiteit AmsterdamUniversity of ColumbiaGitHubBitbucket" ;
"CSV, Filemaker, XML, TXT, HTML" ;
"Some preliminary research questions are:(a) how children experienced differ across time, culture, and gender?(b) how children were involved in musical learning?(c) how cultural studies in music can provide a lens to analyse how the idea of childhood evolved in time?(d) how to characterise the distinction between the point of view of adults and the point of view of children?" ;
"A search engine. A classification of symbolic music" ;
"Automatic curation of documentary evidence: 30% ; Knowledge Graph of Music and Childhood: 20% ; UI for visualisation, exploration, and sense-making: 0% ; Discovery and collection of resources from books: 50%  ; Develop a music history study: 30% " ;
"Develop a music history study on music and childhood, relying on the Polifonia ecosystem Supporting music scholars in the discovery and collection of resources relevant to Music and Childhood  Supporting music scholars in the curation of documentary evidence, via a knowledge acquisition UI for listening experiences, linked to the LED Supporting music scholars in the exploration, visualisation, and sense-making of listening experiences (UI) Develop a Knowledge Graph of Listening Experiencing relevant to Music and Childhood " ;
"Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc." , "Sound sources; Image collections: iconographic items, diagrammatic items, etc.; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Score" , "Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.; Scores" , "Sound sources; Scores; Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc." ;
"Number of authority files related to historical foundries in Italy: success >= 50Public events: success >= 2 events; Number of records digitized: success >= 300 records; Communities of bell ringers: success >= 4 communities; We will collect at least 100 complete case studies; Adoption of tools, vocabularies and methods in catalogation of bells heritage activity by institutions, scholars, practitioners. Reusability of collected data for research and institutional activity (protection and valorization of cultural heritage; inventories of Intangible cultural heritage also according to Unesco 2003 convention on ICH)" ;
"http://midi-ld.amp.ops.labs.vu.nl/; https://github.com/hangzhaomit/HACS-dataset; https://musedata.org; https://midi-ld.github.io" ;
"Computational Musicology.; Music Information Retrieval; Music History" ;
"No direct partners" ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"To be determined" ;
"www.globalchant.org; http://digitalduchemin.org; http://www.solovoces.com/es; https://josquin.stanford.edu; https://www.cpdl.org/wiki/; http://cantusindex.org; https://imslp.org/wiki/Main_Page; https://ricercar.gesualdo-online.cesr.univ-tours.fr; http://neuma.huma-num.fr" ;
"Human interpretation with the support of algorithms." ;
"MEI, MusicXML, LY" ;
"Software distribution: 30%; Features of music to extract: 50%.; Faceted search: 0%.; Theoretical model for indexing scores efficiently: 90%." ;
"Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of input data quality by experts; Performance validation" , "Validation of interfaces by users/experts; Quantitative validation of input data; Validation from a sub-corpus/case study and transfer to a larger corpus            ; Validation of input data quality by experts" , "Validation of objectives through experts; Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts" , "Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of objectives through experts; Validation of results by ground truth" , "Validation of interfaces by users/experts; Validation of results by ground truth" , "Validation of objectives through experts; Validation of interfaces by users/experts; Validation of input data quality by experts" , "Validation of input data quality by experts; Validation of objectives through experts; Validation from a sub-corpus/case study and transfer to a larger corpus; Compliance of the data produced with standards; Validation of interfaces by users/experts" ;
"We believe that algorithmic knowledge needs to be articulated with situated, analyst-specific points of view." ;
"- Technical aspects : Information Retrieval metrics (precision, recall, accuracy), computational time to execute queries. Identification of hard/specific score problems for retrieval.- Evaluation setup with a survey from experts, for the UI part." ;
"The new knowledge is anchored to a specific fragment in a source. This may be a note, a verticality, a melodic pattern, a fragment of a bar or more, the root bass of a work. The units are not necessarily adjacent. The new knowledge is anchored to a specific fragment in a source (e.g. \"The note identified by the xml:id \"m-69\" in a MEI file is analyzed as a passing note\");" ;
"No" ;
"Yes (e.g. MIDI Linked Data cloud)" ;
"https://zenodo.org/record/3551003; www.liederenbank.nl" ;
"Yes it involved interpretation.It is not a key element of this pilot to represent any of the outcomes through linked data." ;
"modes ; dissonant patterns ; diatonic/chromatic regions ; voice ranges ; scales ; tonalities, ; non harmonic notes ; cadences ; harmonic roots ; modulations; chords " ;
"Nationaal Instituut voor de Orgelkunst (National Institute for Organ Art): Data provider. Maintainer of target database. Publisher of the Organ Encyclopaedia." ;
"validation of a case study (one buildings/place) by a musicologist " ;
"MIDI, PDF, PNG, JPG, TXT,  MP3, Filemaker, JSON, HTML " ;
"A work of integration of existing Italian vocabularies  for campanology domain has been partially carried out, as well as a work of recognition of existing vocabularies connected to local repertoires and performing techniques. A collection of 100 bell-sound recordings has been acquired and the catalogation activities are in progress: for every sound recording we are describing the related performing technique and cataloguing  the bells used and the bell tower, enriching existing ontologies for cultural heritage (as Ar.Co). Additional 400 sound documents in analog format have been acquired and will be digitized. " ;
"we plan a first demonstration of the Pilot - through a beta version of the app - during the European researchers' night in September" ;
"We need to establish Entity categories/hierarchy.Parts - wholes. Specific stops (e.g. Prestant and Flute both are 'stops')." ;
"Yes, several theoretical models have been modeled (Praetorius 1619, Zarlino 1558) or will be modeled in the future (Meeùs 2003)" ;
"Factual knowledge about specific instruments, and factual knowledge about the connections between instruments and specific entities (such as organ builders). ; At a more abstract level we would like to be able to infer historic knowledge about trends, influences, longitudinal developments. E.g. why and how did the German organ building tradition virtually replace the Dutch tradition around 1700?" ;
"Develop a semantic model for generic score collaborative annotation; 20%; Design & develop a Web interface and a Web service for collaborative score annotation​; 20%; Provide an argued, documented and authored modal-tonal analysis on the basis of the​ theoretical and analytical observations made.; Compare modal-tonal attributions of a musical work;​ 10%​; Develop and apply at least 5 different theoretical models to identify how the work’s modal-tonal interpretation changes through the lense of a given theoretical framework;​ 40%​; Look “inside” modal-tonal theories and compare them;  ​100%​; Classify musical works into modal-tonal categories on the basis of an in-depth understanding​ of their inner organisation​ 10%​" ;
"Music analysts, music theorists,  musicologists" ;
"The relations that are in the data should be extracted by algorithms. These should be interpreted by human domain specialists." ;
"https://gallica.bnf.fr/edit/und/conditions-dutilisation-des-contenus-de-gallica; https://www.internetculturale.it/it/15/termini-d-uso ; https://archive.org/about/terms.php     http://www.bne.es/es/Inicio/index.html; https://books.google.com/intl/en/googlebooks/tos.html; https://about.jstor.org/terms/ " ;
"Yes (MIDI notation, analyses, etc.)" ;
"Partially Some sources will be recorded on the field, and they will be digital born records. The existing sources have been digitized from analog supports. Other sources are still in analog support (mainly tapes)" ;
"None. Or a link to another instance (like Neuma), to demonstrate the versatility of the tool (capable of working with several corpora)" ;
"Some sources will be recorded on the field, and they will be digital born records. The existing sources have been digitized from analog supports. Other sources are still in analog support (mainly tapes)" ;
"Relational database; RDF" ;
"Search engine, with demo queries provided so the user can grasp the power of the tool." ;
"Maybe some sort of exploration tool." ;
"• Improved or new kinds of engagement• New forms of access• Proven ability to engage with music in new ways• Illuminating feedback from potential users" ;
"Dynamic Time Warping, MIDI synthesis, music structure analysis, N-grams" ;
"Epistemology; Digital humanities; Music analysis; Music theory and its history; Digital musicology" ;
"Ministry’s Dataset are in CC-BY-SA.; Datasets not created by the ministry may be subject to copyright." ;
"Tracing potential source of influence of The Beatles through music similarity. Experiments in progress." ;
"Information about the meaning that certain sounds (the sounds of bells in our case) have contributed to creating a sense of identity and belonging of people to their territories and their traditions" ;
"Through LOD" ;
"Software distribution: 30%; Features of music to extract: 50%.; Faceted search: 0%.; Theoretical model for indexing scores efficiently: 90%." ;
"not yet defined" ;
"It is descriptive knowledge, strongly related to the context (connection with space, date, instruments, Structures, sound practices, documentation)" ;
"We could incoporate such ideas in the final pilot, but it's not the core of what we presented in the proposal." ;
"Musical score parsing. And adequate clustering or ranking models (information retrieval)." ;
"Validation of objectives through experts; Validation of mechanically produced input data by ground truth; Validation of results by experts" ;
"User satisfaction.Recall of identified melodies in the ground truth." ;
" Texts: poetry, librettos, writings about music, correspondence, theoretical sources, documents about gestuality, technical documents, etc.);" ;
"Possibly the web portal, otherwise an independent application.LED part of the Polifonia KG (indexed by Website) " ;
"Possibly" ;
"Size of the KGNumber of scholarly activities supported" ;
"Public domain datasets." ;
"Validation of input data quality by experts; Validation of objectives through experts; Validation from a sub-corpus/case study and transfer to a larger corpus; Compliance of the data produced with standards; Validation of interfaces by users/experts" ;
"XML, RDF, MAG and other formats" ;
"General information on the musical works taken into account and summary analytical results. " ;
"Of course the output will be an interpretation (editorial work) but there is no need for making explicit this process in the data." ;
"Keyword extraction algorithms can be provided from the descriptive text that often accompanies our resources" ;
"Tools easy to be used/understood in a guided historical/analytical/methodological environment" ;
"Validation of objectives through experts; Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts" , "Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of objectives through experts; Validation of results by ground truth" , "Validation of performance, requests/information passed between front and back end; Validation of interfaces by users/experts; Validation of input data quality by experts; Performance validation" ;
"A considerable part of the application can be released as part of the functionalities provided by the portal." ;
"We have a thesaurus of organ terms." ;
"Yes (SPARQL endpoint)" ;
"General terms from music theory should be used. To my knowledge, there is only little vocabulary for describing melodies. This is a limitation in music theory that could be addressed by our results (in relation with WP3)" ;
"Both algorithmic and human interpretations are possible." ;