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Remove several unused parameters, simplify the code and improve readability. This also fixes two long-standing problems.
The tone marker was previously always three or four halftones too high. It is now on the same height as what is actually sung.
Previously, the marker was shifted by one octave whenever a new one was entered, e.g. when going from a B2 to a C2, the marker would jump down by 11 halftones. This is changed to always be in the octave that is closer to the current note, i.e. at a distance of most 6 halftones above or below.