Merges a directory structure of images into a PDF with nested bookmarks.
$ bookdir2pdf.py --help
usage: bookdir2pdf.py [-h] -i INPUT_DIR [-o OUTPUT_FILE]
[-s ORDER_NUMBER_SEPARATOR] [-n]
[-p [PURIFY [PURIFY ...]]] [-d DPI] [-t TITLE]
[-a AUTHOR]
[-f [TABLE_OF_CONTENTS_FORMAT [TABLE_OF_CONTENTS_FORMAT ...]]]
Merge nested image directory into PDF with nested bookmarks.
optional arguments:
-h, --help show this help message and exit
-i INPUT_DIR, --input_dir INPUT_DIR
path to nested image directory to merge
-o OUTPUT_FILE, --output_file OUTPUT_FILE
output file path ( defaults to [input_dir].pdf )
-s ORDER_NUMBER_SEPARATOR, --order_number_separator ORDER_NUMBER_SEPARATOR
the character used to separate the directory ordering
numbers from the bookmark names ( like '.' or ')' )
-n, --no_pdf just scan directory and print table of contents
-p [PURIFY [PURIFY ...]], --purify [PURIFY [PURIFY ...]]
purify scanned B&W page ( greyscale, sharpen,
threshold ), named sub-arguments: (sharpen|s)
(threshold|t)
-d DPI, --dpi DPI dots-per-inch of the input images
-t TITLE, --title TITLE
the PDF title ( defaults to the directory basename )
-a AUTHOR, --author AUTHOR
the PDF author
-f [TABLE_OF_CONTENTS_FORMAT [TABLE_OF_CONTENTS_FORMAT ...]], --table_of_contents_format [TABLE_OF_CONTENTS_FORMAT [TABLE_OF_CONTENTS_FORMAT ...]]
formatting options for the table of contents, named
sub-arguments: (break_limit|b) (number_prefix|p)
(number_postfix|a) (indent|i)
The PDF here was made using:
bookdir2pdf.py --input_dir test_dir/ --order_number_separator . --purify sharpen=1
The .
is what seperates the ordering numbers from the bookmark name in the directory name. For example, the directory name 01. The First Part
has a .
between the ordering number 01
and the bookmark name The First Part
.
The sharpen=1
means not to sharpen during the purification step.
The bookmark structure can be previewed without actually processing any files:
$ bookdir2pdf.py --input_dir test_dir/ --order_number_separator . --no_pdf --table_of_contents_format break_limit=50
... [output removed] ...
Example PDF
by https://github.com/nimaid/bookdir2pdf
Table of Contents
-----------------------------------------------------------
Page #1 Cover Page
Page #2 --- Empty Directory Example
Page #2 --- --- Nested Empty Directory Level 1
Page #2 --- --- --- Nested Empty Directory Level 2
Page #2 --- --- --- --- Nested Empty Directory Level 3
Page #3 Empty Directory .name File Example (allows for
forbidden characters like <>?\/*: and also means
you can make a really long name like this without
hitting the path length limit of your OS)
Page #3 The First Part
Page #3 --- Chapter 1
Page #5 --- Chapter 2
Page #7 The Middle Part
Page #7 --- Chapter 3
Page #9 --- Chapter 4
Page #11 The Final Part
Page #11 --- Chapter 5
Page #13 --- Chapter 6
Page count: 14
... [output removed] ...
Here are the two complex bookmark structures that prompted me to create this program:
Electronotes - Builder's Guide & Preferred Circuits Collection
by Bernie Hutchins
Table of Contents
--------------------------------------------------------------------------------------------------
Page #1 Cover Page
Page #5 Table of Contents
Page #7 Part One: Introduction, Basics, Plans
Page #9 --- 1-1. Introduction
Page #11 --- 1-2. Plan Of Attack
Page #12 --- 1-3. The Actual Plan Of The Electronic Music System
Page #13 --- 1-4. Deciding What Will Be In Your System
Page #20 --- 1-5. How To Obtain The Parts You Need
Page #23 --- 1-6. Building Your System
Page #26 --- 1-7. System Integration
Page #27 --- 1-8. Standards Used
Page #28 --- 1-9. Substitution Of Op-Amps
Page #31 --- 1-10. Modular Design
Page #41 Part Two: Construction Practices
Page #43 --- 2-1. Introduction
Page #43 --- 2-2. Hints On Setting Up An Electronic Music Working Area
Page #47 --- 2-3. How I Make My P.C. Boards In A Matter Of A Few Hours
Page #50 --- 2-4. Putting Your Circuit Boards Inside Something
Page #53 --- 2-5. Making Rack Panels
Page #59 --- 2-6. Some More Suggestions On Actually Getting Construction Underway
Page #63 --- 2-7. How To Actually Build Something
Page #63 --- --- Part 1: AN-14 - Parts And Supplies
Page #65 --- --- Part 2: AN-15 - Circuit Boards
Page #67 --- --- Part 3: AN-16 - Soldering In Parts
Page #69 --- --- Part 4: AN-17 - Packaging
Page #71 --- --- Part 5: AN-18 - Miscellaneous Hints
Page #73 Part Three: Preferred Circuits Collection
Page #75 --- Power Supplies
Page #77 --- --- PS-1: AN-1 - Five-Volt One-Amp Power Supplies For TTL
Page #79 --- --- PS-2: AN-2 - Bipolar 15 Volt Supplies For Op-Amps
Page #81 --- --- PS-3: AN-98 - IC Regulators For Small Bench Supplies
Page #83 --- --- PS-4: AN-136 - An Op-Amp Supply Based On A 12.6V Filament Transformer
Page #85 --- --- PS-5-Acc: Crowbar Circuit
Page #85 --- --- PS-Extra: MEH-5j
Page #87 --- Controller Interfaces
Page #88 --- --- CI-1: EN#68 - The ENS-76 Home-Built Synthesizer System - Part 4
Page #98 --- --- CI-2: EN#45 - Controller Interface CI-2
Page #99 --- --- CI-3-Acc: MEH-7b - Ranging And Scaling Unit
Page #100 --- --- CI-4: EN#124 - The ARP Surplus Three-Octave Keyboard
Page #103 --- Voltage-Controlled Oscillators
Page #105 --- --- EN#75 - The ENS-76 Home-Built Synthesizer System - Part 7, VCO Options
Page #109 --- --- --- VCO-1
Page #113 --- --- --- VCO-2
Page #117 --- --- VCO-3: EN#67 - ENS-76 'Utility VCO'
Page #118 --- --- VCO-4: EN#65 - Through-Zero VCO (Hall)
Page #119 --- --- VCO-5: EN#69 - AM-FM Utility VCO Using XR2206 VCO Chip
Page #120 --- --- VCO-6: EN#87 - 2030 VCO
Page #121 --- --- VCO-7: EN#129 - A Voltage-Controlled Oscillator With Through-Zero FM Capability
Page #131 --- Manually-Controlled Oscillators
Page #133 --- --- MCO-1: AN-29 - Simple Sine Wave Oscillators
Page #135 --- --- MCO-2: AN-67 - Simple Triangle-Square Oscillator
Page #137 --- --- MCO-3: AN-79 - Some Simple Sawtooth Wave Generators
Page #139 --- --- MCO-4: EN#88 - Peter Lutz's LFO
Page #140 --- --- MCO-5: EN#53 - Inexpensive Function Generator (Craig Anderton)
Page #141 --- --- MCO-6: EN#44 - Low-Frequency Control Oscillator
Page #141 --- --- MCO-7: EN#83 - Simple Manually Tuned Triangle-Square Generator
Page #143 --- Voltage-Controlled Amplifiers
Page #145 --- --- VCA-1: EN#29(MEH-5c) - VCA Design Example #1 - VCA With Linear Response
Page #146 --- --- VCA-2: EN#34(MEH-5c) - VCA Design Example #2 (Linear And Exponential Controls)
Page #147 --- --- VCA-3: EN#63 - ENS-76 VCA Option 1
Page #147 --- --- VCA-4: EN#87 - Synthesizer Voltage-Controlled Amplifier Using 2020
Page #149 --- Envelope Followers
Page #151 --- --- EF-1: EN#60 - Nicholas Collins' Envelope Follower
Page #152 --- --- EF-2: EN#86 - R. Iodice's Envelope Follower
Page #153 --- --- EF-3: EN#88 - Denny Genovese's Envelope Follower
Page #154 --- --- EF-4: EN#89 - Envelope Follower With Ripple Reduction
Page #155 --- Voltage-Controlled Filters
Page #156 --- --- EN#71 - The ENS-76 Home-Built Synthesizer System - Part 5
Page #158 --- --- --- VCF-1
Page #162 --- --- --- VCF-2
Page #164 --- --- VCF-3: EN#41 - Voltage-Controlled 4-Pole Network
Page #165 --- --- VCF-4: EN#87 - Electronic Music Voltage-Controlled Lowpass Filter
Page #166 --- --- VCF-5: EN#72 - ENS-76 VCF Option 3, Variable-Slope Filter
Page #168 --- --- VCF-6: EN#90 - The High-Ripple VCF
Page #169 --- --- VCF-7: EN#92 - Quasi-Digital Bi-N-Tic Filter (Jan Hall)
Page #170 --- --- VCF-8: EN#97 - Dual SSM-2040 Filter
Page #171 --- Timbre Modulators
Page #173 --- --- TM-1: EN#72 - Timbre Modulator - Option 1
Page #175 --- --- TM-2: EN#84 - An Odd-Harmonic To Even-Harmonic Timbre Modulator
Page #179 --- --- TM-3: EN#72 - Double-Pulse Waveform Shaper (Ian Fritz)
Page #181 --- Envelope Generators
Page #183 --- --- EN#66 - The ENS-76 Home-Built Synthesizer System - Part 2
Page #184 --- --- --- EG-1
Page #187 --- --- --- EG-2
Page #190 --- --- EG-3: MEH-5e - Simple AD Envelope Generator
Page #190 --- --- EG-4: EN#45 - ADSR Envelope Generator #1
Page #191 --- --- EG-5: EN#87 - 2050 External Connections
Page #192 --- --- EG-6: EN#86 - Envelope-Transient Generator
Page #193 --- --- EG-7: EN#92 - AD + AR Envelope Generator (Ian Fritz)
Page #195 --- Balanced Modulators
Page #196 --- --- BM-1: EN#63 - ENS-76 Balanced Modulator - Option 1
Page #197 --- --- BM-2: MEH-5f - Balanced Modulator Design Example
Page #199 --- --- BM-3: EN#134 - Integrated Musical Electronics - Part 2: Balanced Modulator
Page #201 --- --- BM-4: EN#113 - Switchable VCA/Balanced Modulator Circuit Based On The LM/XR
13600 Transconductance Amplifier (Ian Fritz)
Page #207 --- Frequency Shifter
Page #209 --- --- EN#83 - The ENS-76 Home-Built Synthesizer System - Part 9, Frequency Shifter
Page #225 --- Sample And Hold Units
Page #227 --- --- S&H-1: MEH-5g - Sample-And-Hold Design Example
Page #228 --- --- S&H-2: EN#61 - Sample And Hold (With Additional Features)
Page #229 --- Slewing Circuits
Page #231 --- --- EN#42 - Slew Limiting Ideas (Paul Titchener, Terry Mikulic)
Page #231 --- --- --- SC-1
Page #231 --- --- --- SC-2
Page #231 --- --- --- SC-3
Page #232 --- --- SC-4: EN#59 - Paul Titchener's Voltage-Controlled Slew Limiter
Page #233 --- Noise Sources
Page #235 --- --- EN#76 - The ENS-76 Home-Built Synthesizer System - Part 8, Random Sources
Page #235 --- --- --- NS-1: ENS-76 Random Source - Option 1
Page #237 --- --- --- NS-2: ENS-76 Random Source - Option 2
Page #242 --- --- --- Further Options
Page #249 --- --- NS-3: EN#30 - ENS-73 Noise Source (Dave Rossum)
Page #249 --- --- NS-4: EN#64 - White Noise Generator
Page #251 --- --- NS-5: AN-143 - Simple Noise Sources
Page #253 --- Analog Delay Lines
Page #255 --- --- ADL-1: EN#72 - Delay Module/Sub-Module Option 1
Page #256 --- --- ADL-2: EN#87 - Delay Line Setup Using MN3005 (Jan Hall)
Page #257 --- --- ADL-3: AN-35 - Delay Line Setup Using The SAD-1024
Page #259 --- Animators
Page #261 --- --- ANM-1: EN#87 - Full Circuit of Multi-Phase Waveform Animator
Page #262 --- --- ANM-2: EN#102 - VC LFO's and Summers
Page #265 Part Four: Appendices
Page #267 --- A. EN#91 - But What Should I Start Building Right Now?
Page #271 --- B. Aids On Obtaining Parts
Page #275 --- C. Troubleshooting
Page #275 --- --- 1 - AN-131
Page #277 --- --- 2 - AN-132
Page #279 --- --- 3 - AN-133
Page #281 --- --- 4 - AN-134
Page #283 --- D. Information On Special Purpose Electronic Music IC's
Page #291 --- E. Useful References
Page count: 292
Musical Engineer's Handbook
by Bernie Hutchins
Table of Contents
---------------------------------------------------------------------------------------------------
Page #1 Cover Page
Page #4 Dedication/Acknowledgment
Page #5 Table of Contents
Page #6 Introduction
Page #9 Section 1, Basics
Page #9 --- Chapter 1A: Electronic Music Systems and Their Characterization
Page #9 --- --- Introduction
Page #10 --- --- Example Electronic Music Systems
Page #10 --- --- --- Musique Concrète
Page #10 --- --- --- Voltage-Controlled Systems
Page #11 --- --- --- Computer Point-by-Point Synthesis
Page #12 --- --- --- Computer Control of Analog Synthesizers
Page #12 --- --- --- A Tape Delay Feedback System
Page #13 --- --- The Characterization of the Elements of Electronic Music Systems
Page #15 --- Chapter 1B: Waveforms, Envelopes, Modules, and Control
Page #15 --- --- Introduction
Page #16 --- --- Waveforms
Page #18 --- --- Envelopes
Page #19 --- --- Modules
Page #21 --- --- Control
Page #23 --- Chapter 1C: Basic Mathematics of Musical Engineering
Page #23 --- --- Introduction
Page #24 --- --- Graphs, Linear and Non-Linear Relationships
Page #27 --- --- Multiplication in Graph Quadrants
Page #28 --- --- Scaling of Exponentials and Placement of Exponential Converters
Page #29 --- --- Logarithmic Relationships
Page #31 --- Chapter 1D: Integral Methods of Electrical Engineering
Page #31 --- --- Introduction
Page #32 --- --- Eyeballing The Fourier Series
Page #33 --- --- Mathematics of the Fourier Series
Page #34 --- --- Analysis of Non-Periodic Waveforms - Fourier Transforms
Page #37 --- --- Laplace Analysis
Page #40 --- --- Convolution: Time and Frequency
Page #40 --- --- Autocorrelation - A Convolution
Page #41 --- --- Impulse Response
Page #43 --- Chapter 1E: Topics from Musical Acoustics
Page #43 --- --- Introduction
Page #44 --- --- The Accuracy of Traditional Music
Page #45 --- --- Musical Scales
Page #48 --- --- Block Analysis of Traditional Music
Page #50 --- --- Hearing
Page #51 --- Chapter 1F: Basic Principles of Musical Engineering
Page #51 --- --- Introduction
Page #52 --- --- Basic Goals and Procedures
Page #53 --- --- System Design Philosophy
Page #55 --- --- Communications Between Musicians and Engineers
Page #57 Section 2, Basic Sound Synthesis And Electronic Music Techniques
Page #57 --- Chapter 2A: Subtractive Synthesis
Page #57 --- --- Introduction
Page #58 --- --- Harmonic Content of Waveforms
Page #59 --- --- Amplitude and Harmonic Content Alteration
Page #60 --- --- A Basic Subtractive Synthesis Patch
Page #61 --- --- Subtractive Synthesis Using a Noise Source
Page #61 --- --- Filter Ringing
Page #63 --- Chapter 2B: Additive Synthesis
Page #63 --- --- Introduction
Page #63 --- --- Comparison of Additive and Subtractive Synthesis
Page #64 --- --- The Role of Phase in Additive Synthesis
Page #65 --- --- Addition of Non-Harmonics
Page #66 --- --- Construction of Source Banks
Page #67 --- Chapter 2C: Generalized Modulations
Page #67 --- --- Introduction
Page #69 --- --- Addition of Waveforms
Page #72 --- --- Multiplication of Waveforms
Page #74 --- --- Amplitude Modulation
Page #75 --- --- Frequency Modulation
Page #86 --- --- Formant Modulation
Page #86 --- --- Pulse Modulation
Page #88 --- --- Time Sampling
Page #93 --- Chapter 2D: Control of Musical Structure
Page #93 --- --- Introduction
Page #94 --- --- Control: Electronic, Physical, and Programmable
Page #96 --- --- Control by Tape Recorder
Page #97 --- --- Control in Real Time
Page #98 --- --- Release of Control
Page #99 --- Chapter 2E: Miscellaneous Electronic Music Techniques
Page #99 --- --- Introduction
Page #99 --- --- Tape Manipulations
Page #100 --- --- Tape Techniques Using Delay
Page #101 --- --- Phasing Techniques
Page #102 --- --- Reverberation Units
Page #102 --- --- Ensemble Effects
Page #102 --- --- Resonant Synthesis
Page #104 --- --- Phase Locking
Page #105 Section 3, Electrical Components And Electronic Music Applications
Page #105 --- Chapter 3A: Basic Applications of: Operational Amplifiers
Page #105 --- --- Introduction
Page #106 --- --- First Ideal Characteristic - Infinite Gain
Page #107 --- --- Second Ideal Characteristic - No Input Bias Currents
Page #108 --- --- Third Ideal Characteristic - No Differential Input Voltage When Negative
Feedback Is Working
Page #110 --- --- --- The Non-Inverting Amplifier
Page #111 --- --- --- The Inverting Amplifier And Related Structures
Page #114 --- --- --- An Alternative Analysis Of The Inverting Amplifier
Page #116 --- --- --- The Op-Amp Differential Amplifier
Page #116 --- --- --- The Generalized Analog Summer
Page #118 --- --- Working With Real Op-Amps
Page #119 --- --- Compensation and Slew Rate
Page #122 --- --- Input Bias Current
Page #123 --- Chapter 3B: Basic Applications of: Operational Transconductance Amplifiers
Page #123 --- --- Introduction
Page #124 --- --- Basic Setup of the CA3080
Page #124 --- --- Typical Gain Controlled Circuit
Page #125 --- --- Signal Switching Methods
Page #126 --- --- Current Switching Methods
Page #127 --- Chapter 3C: Basic Applications of: Current Differencing Amplifiers
Page #127 --- --- Introduction
Page #128 --- --- Open Loop And Logic Circuits
Page #128 --- --- Positive Feedback
Page #129 --- --- Negative Feedback
Page #131 --- Chapter 3D: Basic Applications of: Analog Multipliers
Page #131 --- --- Introduction
Page #132 --- --- Basic 595 Circuits
Page #132 --- --- Application Hints for Type 595
Page #133 --- --- Two-Quadrant Multipliers
Page #135 --- Chapter 3E: Basic Applications of: IC Timers
Page #135 --- --- Introduction
Page #135 --- --- Monostable (One Shot) Circuits
Page #137 --- --- Astable (Oscillator) Circuits
Page #138 --- --- Special Applications
Page #139 --- Chapter 3F: Basic Applications of: Digital Integrated Circuits
Page #139 --- --- Introduction
Page #139 --- --- Application of Logic Gates
Page #142 --- --- Application of Flip-Flops
Page #144 --- --- Special Applications of MSI Devices
Page #146 --- --- Designing with TTL Logic IC's
Page #147 --- Chapter 3G: Basic Applications of: CMOS Integrated Circuits
Page #147 --- --- Introduction
Page #147 --- --- Basic CMOS Application Considerations
Page #148 --- --- Linear CMOS Applications
Page #149 --- --- The Analog Switch
Page #150 --- --- CMOS Handling Precautions
Page #150 --- --- CMOS Interfacing
Page #151 --- Chapter 3H: Miscellaneous Musical IC's
Page #151 --- --- Introduction
Page #151 --- --- VCO and Function Generator Chips
Page #152 --- --- Top Octave Generators
Page #153 --- --- Binary Dividers
Page #154 --- --- Phase-Locked Loops
Page #155 Section 4, Basic Circuit Designs
Page #155 --- Chapter 4A: Circuits Using IC Amplifiers
Page #155 --- --- Introduction
Page #155 --- --- Audio Circuits
Page #156 --- --- Integrators and Differentiators
Page #156 --- --- Simple Signal Generators
Page #157 --- --- Full-Wave Rectifiers
Page #158 --- --- Peak Detectors
Page #159 --- Chapter 4B: Analysis and Design of Active Filters
Page #159 --- --- Introduction
Page #159 --- --- Terminology of Active Filtering
Page #162 --- --- Example Filter Analysis
Page #163 --- --- --- Low-Pass Butterworth
Page #165 --- --- --- State Variable
Page #166 --- --- --- Chebyshev
Page #167 --- --- --- Other Configurations
Page #169 --- Chapter 4C: Circuits Using Discrete Semiconductors
Page #169 --- --- Introduction
Page #169 --- --- The Basic Bipolar Junction Transistor
Page #170 --- --- Electronic Music Applications for FET's
Page #170 --- --- Circuits Using Transistors for Their Logarithmic Properties
Page #171 --- --- Current Sources
Page #172 --- --- Schmitt Triggers with Transistors
Page #172 --- --- Op-Amp Power Output Stage
Page #173 Section 5, Design Of Conventional Music Modules
Page #173 --- Chapter 5A: Modular Design - General Considerations, Inputs and Outputs
Page #173 --- --- Introduction
Page #175 --- --- Voltage Input Structures
Page #179 --- --- Timing Signal Input Structures
Page #180 --- --- Output Structures
Page #183 --- Chapter 5B: Voltage-Controlled Oscillator Design
Page #183 --- --- Introductory Notes
Page #184 --- --- Introduction
Page #186 --- --- Design of the Basic Oscillator
Page #190 --- --- Design of Exponential Current Stages
Page #198 --- --- Design of Waveshaping Circuits
Page #205 --- --- Design Example
Page #209 --- Chapter 5C: Voltage-Controlled Amplifier Design
Page #209 --- --- Introduction
Page #210 --- --- Design of Two-Quadrant Multipliers
Page #215 --- --- Controlled Current Sources for VCA's
Page #217 --- --- Design Examples
Page #217 --- --- --- VCA Design Example #1
Page #218 --- --- --- VCA Design Example #2 (Linear And Exponential Controls)
Page #219 --- Chapter 5D: Voltage-Controlled Filter Design
Page #219 --- --- Introduction
Page #220 --- --- Control Elements for VCF's
Page #223 --- --- Adapting Current Sources for VCF's
Page #225 --- --- Design Examples
Page #225 --- --- --- #1; Reprint: "A Four Pole Voltage-Controlled Network; Analysis, Design, and
Application as a Low-Pass VCF and a Quadrature Oscillator" (from EN#41)
Page #232 --- --- --- #2; Voltage-Controlled State Variable Filter (from EN#37)
Page #233 --- Chapter 5E: Envelope Generator Design
Page #233 --- --- Introduction
Page #234 --- --- Attack-Release (AR) Envelope Generators
Page #235 --- --- Attack-Decay (AD) Envelope Generators
Page #236 --- --- Attack-Decay-Sustain-Release (ADSR) Envelope Generators
Page #239 --- --- Design Example - ADSR
Page #240 --- --- Envelope Delay Units
Page #241 --- --- Design Example - Delay Unit
Page #242 --- --- Special Features
Page #243 --- Chapter 5F: Balanced "Ring" Modulator Design
Page #243 --- --- Introduction
Page #244 --- --- Adapting the Analog Multiplier
Page #245 --- --- Design Example
Page #247 --- Chapter 5G: Sample-and-Hold Design
Page #247 --- --- Introduction
Page #248 --- --- Design Example
Page #249 --- --- Additional Features
Page #251 --- Chapter 5H: Noise and Random Source Design
Page #251 --- --- Introduction
Page #251 --- --- Sources Using Semiconductor Junctions
Page #252 --- --- Design Example
Page #252 --- --- Pseudo-Random Sequencers
Page #255 --- Chapter 5I: Mixer and Multiple Design
Page #255 --- --- Introduction
Page #255 --- --- Design and Placement of Multiples
Page #256 --- --- Design of Mixers
Page #259 --- Chapter 5J: Power Supply Design
Page #259 --- --- Introduction
Page #260 --- --- Determining Power Requirements
Page #260 --- --- The Basic Unregulated Supply
Page #263 --- --- Basic Considerations for Regulators
Page #265 --- --- Integrated Circuit Regulators
Page #265 --- --- --- 5 Volt Supplies
Page #265 --- --- --- ±15 Volt, Low Current Supplies
Page #266 --- --- --- ±15 Volt, High Current Supplies
Page #267 --- --- Protective Circuitry
Page #269 Section 6, New Types Of Modules
Page #269 --- Chapter 6A: Frequency Shifter Design
Page #269 --- --- Introduction
Page #270 --- --- Methods of Frequency Shifting
Page #270 --- --- --- The Double Heterodyning Method
Page #271 --- --- --- The Phase Shift Method
Page #271 --- --- --- Methods of Providing the Quadrature Signal
Page #274 --- --- Reprint of "Design of 90° Phase Difference Networks and application to Frequency
Shifter Design" (EN#43)
Page #282 --- --- Calculation of Poles of 90° Phase Difference Networks by Weaver's Method
Page #283 --- --- Determining the Required Accuracy
Page #287 --- Chapter 6B: Pitch and Envelope Followers
Page #287 --- --- Introduction
Page #287 --- --- Pitched Signal Production
Page #288 --- --- Pitch Extraction Based on Spectral Information or Pattern Recognition
Page #289 --- --- An Experimental Pitch Extractor and Envelope Follower
Page #291 --- Chapter 6C: Modules Employing Analog Delay Lines
Page #291 --- --- Introduction
Page #292 --- --- Applications Using Mixtures of Delayed and Original Signals
Page #292 --- --- Phasing
Page #293 --- --- Recursive Structures
Page #293 --- --- Reverberation Devices
Page #295 --- Chapter 6D: Transform Devices
Page #295 --- --- Introduction
Page #295 --- --- Comparison of Transform Approaches and the Traditional Approaches
Page #296 --- --- A Hadamard Transform Device
Page #299 Section 7, Controllers And Interface Units
Page #299 --- Chapter 7A: Design of Controllers
Page #299 --- --- Introduction
Page #299 --- --- Keyboards (Discrete Controllers)
Page #300 --- --- Continuous Controllers
Page #302 --- --- Miscellaneous Controllers
Page #303 --- Chapter 7B: Design of Controller Interfaces
Page #303 --- --- Introduction
Page #304 --- --- Keyboard Interfaces
Page #308 --- --- Use of Keyboard Interfaces with Other Units
Page #309 --- --- Digital Interfaces
Page #309 --- --- Digital Counting Interfaces
Page #310 --- --- Touch Control
Page #311 --- --- Touch Sensitivity Translators
Page #312 --- --- Polyphonic Controls and Systems
Page #313 --- Chapter 7C: Design of Sequencers
Page #313 --- --- Introduction
Page #313 --- --- The Characterization of Sequencers
Page #314 --- --- Bucket Brigade Sequencers
Page #316 --- --- The Sample-and-Hold as a Sequencer
Page #316 --- --- Digital Sequencers
Page #317 Section 8, Musical Engineering Operations
Page #317 --- Chapter 8A: Overall Design Considerations
Page #317 --- --- Introduction
Page #318 --- --- Design Steps
Page #318 --- --- Selecting the Number of Modules
Page #319 --- --- Breaking Design Deadlocks
Page #320 --- --- Documentation
Page #321 --- Chapter 8B: Construction
Page #321 --- --- Introduction
Page #321 --- --- Preparation of Circuit Boards
Page #323 --- --- Soldering and Soldering Irons
Page #323 --- --- Wiring of Circuit Boards
Page #325 --- --- Panel Preparation and Wiring
Page #325 --- --- Living With Patch Cords
Page #327 --- Chapter 8C: Troubleshooting
Page #327 --- --- Introduction
Page #328 --- --- Checking the Obvious
Page #328 --- --- Learning What Should be Happening
Page #328 --- --- Isolating the Trouble
Page #329 --- --- Some Troubleshooting Rules
Page #329 --- --- Checking Certain Modules
Page #330 --- --- Troubleshooting Designs and Patches
Page #330 --- --- Special Problems and Techniques
Page #331 Section 9, References
Page #331 --- Chapter 9A: Math Tables
Page #331 --- --- Introduction
Page #331 --- --- Constants
Page #332 --- --- Conversion Factors
Page #332 --- --- Fractional Roots of Two
Page #332 --- --- Rules for Logs and Exponentials
Page #333 --- --- Trig. Identities
Page #333 --- --- Relations between Exponentials and Trig. Functions
Page #333 --- --- Relationships with Bessel Functions
Page #334 --- --- Tables of Trig. Functions
Page #334 --- --- Tables of Bessel Functions (Jₙ and Iₙ)
Page #335 --- --- --- Bessel Functions Of The First Kind Jₙ(x)
Page #336 --- --- --- Modified Bessel Functions Iₙ(x)
Page #339 --- Chapter 9B: Engineering References
Page #339 --- --- Resistor Color Code
Page #339 --- --- Butterworth Polynomials
Page #340 --- --- Table of 5% Resistor Ratios
Page #341 --- --- Laplace Transform Pairs
Page #343 --- Chapter 9C: Electrical Component Data
Page #343 --- --- Introduction
Page #344 --- --- Linear IC's
Page #345 --- --- Arrays
Page #346 --- --- Digital IC's
Page #351 --- Chapter 9D: Reprint Papers
Page #351 --- --- Introduction
Page #353 --- --- "Experimental Electronic Music Devices Employing Walsh Functions" by Bernard A.
Hutchins, Jr. - Reprinted from J. Aud. Eng. Soc. 12 #8, Oct. 1973, pg. 640-645
with the permission of the author
Page #359 --- --- "Some Notes on the Generation of Sine Waves by Walsh Functions"
Page #371 --- Chapter 9E: Bibliography of Handbook Topics
Page #371 --- --- Introduction
Page #371 --- --- Bibliography, Chapters 1a to 8c
Page #375 Index
Page count: 376